Archi News

Perched above the cliffs of Crimea, the Druzhba Thermal Sanatorium appears less as a building than as a landed spacecraft. Its circular forms, suspended decks, and spiraling ramps evoke a scene from Andrei Tarkovsky's Solaris (1972), where architecture and psychology merge into a single landscape. Built between 1978 and 1985 by Igor Vasilevsky, the complex was conceived as a thermal resort for workers of the oil industry, part of the Soviet Union's extensive network of sanatoria dedicated to health and recreation.

Taking its name from the forest goddess of the Rigveda, one of ancient India's sacred texts, the Aranyani Pavilion is conceived to deepen public connection to nature and advance urgent conversations around ecology. Aranyani launches one of South Asia's most ambitious ecological art and architecture pavilions at Sunder Nursery in New Delhi, opening Wednesday, 4th February 2026. Founded by conservation scientist and creative director Tara Lal, Aranyani is a conservation and creative arts initiative dedicated to renewing human connection with the natural world.

As the architecture community looks ahead to the announcement of the 2026 Pritzker Architecture Prize, anticipation is once again building around who will be named this year's laureate. While the official date has yet to be confirmed, the annual reveal traditionally takes place in early March, marking one of the most closely watched moments in the architectural calendar. Established in 1979 by the Hyatt Foundation, the Pritzker Architecture Prize is widely regarded as "the profession's highest honor." Each year, it recognizes a living architect, or architects, whose work demonstrates a consistent and significant contribution to humanity and the built environment. Over the decades, the award has reflected shifting priorities within the discipline, highlighting practices engaged with social equity, environmental responsibility, material experimentation, and cultural continuity.

Traditional Ukrainian vernacular architecture evolved through simple yet expressive solutions: thick whitewashed walls, thatched roofs, and regular plastering as an act of care and an aspiration toward order and beauty. In YOD Group's contemporary interpretation of traditional Ukrainian Hata-Mazanka, this pursuit of light and cleanliness is translated into fully transparent glass façades, while the roof – deliberately oversized – becomes the project's primary architectural gesture. Its sculptural form defines a strong, instantly recognisable silhouette, evoking both a traditional tall hat and an oversized mushroom rising from the landscape.

World Monuments Fund (WMF) is an independent organization dedicated to safeguarding treasured places around the world that enrich lives and foster mutual understanding across cultures and communities. On February 10, WMF announced a $7 million commitment to support 21 heritage preservation projects launching in 2026. These investments advance work at sites included on the 2025 World Monuments Watch, WMF's nomination-based advocacy program, while also supporting new phases of conservation, planning, and training at additional heritage sites across five continents. The selected sites reflect a wide chronological and geographic range, from ancient cultural landscapes to modern architectural landmarks. The projects highlight the diversity of global heritage, spanning Mughal gardens and Ottoman religious complexes to modernist cinemas, industrial mining landscapes, Indigenous cultural routes, and sacred shrines, and point to the long-term cultural knowledge embedded in its preservation.

In the coastal and jungle regions of Costa Rica, high humidity and intense solar radiation dictate an architectural strategy centered on permeability rather than enclosure. Unlike the airtight envelopes required in cold climates to retain heat, Costa Rican architecture uses the building envelope as a climatic filter to maximize air exchange. The primary mechanism for managing these thermal gradients seems to be the oversized roof overhang. By extending the roof plane significantly beyond the floor plate, architects create a permanent buffer of deep shade that reduces solar gain and lowers the ambient temperature before air enters the structure. This strategy, combined with permeable or non-existent walls, allows for constant airflow. This is a critical technical requirement for humidity control and the prevention of material degradation through mold and rot.

This project is a hall set quietly within the forest of Karuizawa, a renowned summer retreat. The facility is the result of a project that has been cultivated collaboratively with the client and contractor over a period of approximately ten years.

Can a house feel as if it has always been there? At the end of the open fields, between the trees, under the blue skies, built out of the earth. Can a house be like a verse, a philosophy, a way of life— of lyrical moments, poetic narratives, sensory experiences?

What if industrial leftovers weren't waste, but the start of architectural design? At Rieder's headquarters in Maishofen, Austria, over 1,300 cubic meters of timber, 180 ceiling elements, and hundreds of upcycled glassfiber-reinforced concrete fragments come together in a building shaped as much by reuse as by planning. The new production hall, designed by Kessler² Architecture, treats material leftovers as a design resource. Developed as part of a long-term investment in sustainable manufacturing, the timber-concrete hybrid building introduces a facade technique that inverts conventional architectural workflows: instead of designing first and producing components afterward, the building envelope is generated from the material remnants already available on site establishing a new language for industrial architecture.

Rumah Tahu is a residential project located in Sumedang, Indonesia, designed for a single-family spanning two generations: an architect and his wife, and his parents. Rather than separating the household into independent buildings, the project is conceived as one architectural entity composed of two interrelated dwellings—the South Dwelling and the North Dwelling. This approach positions family relationships as the primary driver of spatial organization, rather than merely a programmatic outcome.

The purpose of the renovation is to revive an urban apartment into a space as a second house. Responding to the client's request of 'living an extraordinary life in a versatile space', I put focus on the design of the opening in the beginning.

The expansion project of CPP College arises from the need to adapt the school space to new usage demands, respecting the identity of the original architectural ensemble, which was also designed by our office. The main question was to understand how to intervene in an already established architecture, adding value without compromising the existing language and harmony.

This school year marks the opening of 'de Zevensprong', the new Integrated Child and Expertise Centre in Hoorn, the Netherlands. Designed by Amsterdam architecture studio KRFT, the building brings together five former locations for special (primary) education into one sustainable environment for learning, care, childcare and sport. The centre is a place where children feel at home, can develop freely, and where professionals work side by side with one shared vision: the child comes first.

Set on a maple-wooded site, the land slopes gently toward a valley where a river traces its course at the base of the terrain. It is within this natural movement of the ground that Perchée takes shape—a house that favors restraint over imprint, and whose siting strategy seeks, above all, to limit clearing in order to preserve the site's most valuable quality: the feeling of being truly immersed among the trees.

Preserving historic buildings requires simultaneously addressing technical, environmental, and regulatory demands while maintaining the material, cultural, and symbolic continuity of what already exists. As the understanding consolidates that the most sustainable building is the one that is already standing, and that preservation also involves construction knowledge, material traditions, and the social fabrics from which they emerged, these same buildings are increasingly confronted with more rigorous contemporary parameters. Energy efficiency, safety, carbon emission reduction, and regulatory compliance have become unavoidable references, placing architecture before a central tension: how to update what already exists without breaking the continuity that sustains its heritage value.

Following the release of seven shortlisted proposals in 2025 through an online gallery, the Foundation for the Development of the Lands Adjacent to the Baptism Site has announced the winner of the international design competition for the Museum of Jesus' Baptism at Bethany, Jordan. Managed by Malcolm Reading Consultants, the six-month invited competition brought together architect-led multidisciplinary teams to design a museum and landscape project responding to the sacred character of Al-Maghtas, a UNESCO World Heritage Site. After finalist interviews conducted by an international Advisory Panel, the team led by Níall McLaughlin Architects (NMLA) was selected as the competition winner.

Dabbagh Architects is an internationally recognised architectural design firm led by Saudi architect Sumaya Dabbagh. Renowned for its contemporary and culturally relevant projects across the Gulf, the firm was commissioned in 2018 by the Department of Culture and Tourism Abu Dhabi to lead the redevelopment of the UAE's first museum in Al Ain. The project honours over 8,000 years of the region's history, preserving its archaeological remains, historic structures, and cultural heritage while introducing a contemporary architectural narrative that bridges the past with the present.

At the entrance to the Po Valley, in the province of Cuneo, a house with a simple, compact profile reveals itself gradually. The construction does not appear to flaunt striking gestures, but rather blends discreetly among its neighbors — tall apartment blocks, clumsy detached houses, a constellation of buildings without particular quality. Yet appearances are deceiving. A radical transformation, partly concealed within its own volume, lies at the origin of ErranteArchitetture's project for Casa BM: an intervention that dismantles the existing structure to generate new spatial configurations and distinct atmospheres. It is an apparently paradoxical operation, conducted in the spirit of artistic research and self-construction practices.

The Milano Cortina 2026 Winter Olympics officially opened on Friday, February 6, with a ceremony staged across four locations in northern Italy. The main opening event took place at San Siro Stadium, one of Milan's most significant modernist landmarks, and combined dance and performing arts, referencing Italian culture with performances by international artists, including pop star Mariah Carey. Although several competitions had already begun on February 4, the opening ceremony marked the start of a broader programme of sporting, social, and cultural events distributed across Milan and the three Alpine host areas: Cortina d'Ampezzo, Valtellina, and Val di Fiemme. The Games are scheduled to run until February 22, concluding with a closing ceremony at the Verona Arena, ahead of the Paralympic Games, which will take place from March 6 to 15. As a large-scale international event, the Olympics place significant demands on sports infrastructure, transportation networks, accommodation, and tourism capacity, offering early indications of the longer-term urban, architectural, and territorial impacts the Games may leave behind.

Educational architecture remains an exploratory ground for unbuilt exploration, offering insight into how learning environments can evolve alongside changing social, ecological, and pedagogical values. In this Unbuilt edition, submitted by the ArchDaily community, the selected projects bring together a range of proposals that examine schools, libraries, nurseries, and academic centers as spatial frameworks for care, knowledge, and collective growth. Rather than treating education as a fixed program housed within singular buildings, these projects approach learning spaces as adaptive environments shaped by landscape, climate, and human interaction.