We planned the new head office for Uchida Shōten, a hardware manufacturer established 160 years ago in Fujisawa City, Kanagawa Prefecture. The surrounding area flourished as Fujisawa-juku, the sixth post town along the Tōkaidō road during the Edo period, a town lined with inns, teahouses, and merchants. Traces of this history remain in places, and the site itself is characterised by its narrow, elongated townhouse-style plot.
Younghusband is a cherished example of turn-of-the -century Victorian industrial architecture, employing vast redbrick structures, original ghost signage, and a distinctive saw-tooth roof. The deep floor plates, natural patina, and remnant pastoral parapher nalia make it a unique urban playground for living, working, and socialising.
"Ay" (硋) is a type of black-glazed ceramic indigenous to the mountainous region of northeastern Fujian, positioned between pottery and porcelain. The site is a century-old traditional Ay kiln built against a hillside, forming an elongated, sloped "dragon kiln." Situated at the village entrance and flanked by open fields, the site exhibits characteristics of a rural handicraft compound: the kiln sits at the center, an old rammed-earth house to the west, a modern brick-and-concrete dwelling to the east, and several stone outbuildings scattered around.
"Nork-Kok," a Thai expression meaning unconventional or outside the norm, does not suggest a lack of order but instead honestly reflects the character of both the place and its owner.
The revitalization of Praça Mashiach Now has transformed a degraded space in the Northern Zone of São Paulo into an urban green infrastructure, coordinating environmental recovery, active mobility, and social activation in a territory historically dominated by automobiles.
TANK has completed the « L'Alliance », a modular school in Dunkerque, France. The new construction includes an agora, a seven-classroom nursery, an eight-classroom elementary school, a cafeteria, a community center, a multipurpose hall divisible into smaller spaces, a cybercenter, offices, a civic hall, and outdoor areas.
London-based architecture and interiors studio House Of EM - the new practice by former Michaelis Boyd directors Emma Bodie and Matthew Sanders - has completed a renovation and extension in Kensal Rise for a young family of four. Designed for clients Anthony and Roberta, Loggia House includes a ground-floor rear extension, internal alterations throughout, and preparatory work for a future dormer extension, all enhancing scale and functionality for the family to enjoy.
The magic of Indian architecture lies in an invisible order amidst visceral chaos. When an uncertain future knocks on the doors of local practitioners, one might begin to look within the four walls they occupy to discover an opportunity for reinterpretation.
Once a Najdi settlement defined by mudbrick walls and courtyard houses, Riyadh has undergone one of the most radical urban transformations of the 20th and 21st centuries. The discovery of oil reserves, the consolidation of political power, and the rapid expansion of infrastructure reshaped the city from a regional capital into a sprawling metropolis almost within a single generation. As a result, Riyadh's urban fabric is marked by discontinuities, fragments of vernacular architecture coexist with mid-century institutional modernism, and a rapidly evolving contemporary skyline.
Strategically placed in the forest is a base made of stone native to the site. Emerging in a stereotomic manner, this solid block also comprises the foundation of the project.
The Zando Central Market redevelopment in Kinshasa, Democratic Republic of the Congo, designed by THINK TANK architecture, has been selected among the 20 winning projects of the 2025 Holcim Foundation Awards in the Middle East and Africa region. Originally designed for 3,500 traders and now accommodating more than 20,000 vendors, the market has long operated under conditions of severe overcrowding and infrastructural strain. The project stands out for its large-scale public ambition, its reliance on locally available materials and skills, and its capacity to accommodate both formal and informal economies within a rapidly transforming urban context.
The building is located in the Alazani Valley, a centuries-old, traditional cradle of the region's winemaking, set against the backdrop of the Caucasus Mountain range and vineyards.
Zhu Pei is a Chinese architect born in 1962 in Beijing. He studied at Tsinghua University and UC Berkeley, and founded Studio Zhu Pei in 2005. The studio's experimental work and research focus on contemporary architecture, art, and cultural projects. With an artistic and exploratory approach, it investigates the relationship between the roots that anchor architecture in specific natural and cultural contexts and the innovation that drives architecture as a form of artistic revolution. In his interview with Louisiana Channel, Zhu Pei describes architecture as an artistic discipline that, like poetry, relies on openness, imagination, and the creation of new experiences. He argues that great architecture goes beyond functional problem-solving by generating a sense of wonder through its ability to "invent" and "create some new thing, new experience," positioning architectural practice as cultural and sensory exploration rather than purely technical production.
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Historic center renewal has become a recurring strategy in Central American cities seeking to reassert the symbolic, economic, and functional relevance of their traditional cores. These processes often combine physical rehabilitation, institutional investment, and stricter control over public space. San Salvador offers a recent and instructive case, which allows for understanding of how interventions in inherited civic spaces balance infrastructure improvement with heritage conservation and social regulation. It also enables the assessment of how these choices resonate within broader debates on urban transformation in the region.
The House of Knowledge is part of the 20 Bookhouses Initiative, envisioned to enrich community life across the rapidly growing metropolis of Xinyang, a city of 12 million in Henan Province, central China. Located in Yangshan Park, the project consists of two buildings: a community library with an exhibition hall and a tea house. Between them stretch three small lakes, embedded in a biodiverse landscape and surrounded by the urban fabric.
The conceptual form of the bungalow is one that was primarily generated by the unique site that was chosen. Located atop the highest point of a cinnamon estate that forms a 12-acre island among the otherwise flat paddy fields of the area. The 3600 views are equally exciting; therefore, needed significant consideration. Envisaged as a circular edge of a "forest clearing", the structure needed to merge with the dense plantation. The approach was to define the inner edge only and let the outer edge be randomly broken to organically amalgamate with the landscape.
By shifting rotation away from traditional hinges and distributing weight vertically, pivot doors were developed to address a specific architectural challenge: how to move large, heavy door panels with precision, durability, and minimal visual interference. These systems allow doors to grow significantly in scale, weight, and material ambition, often blurring the line between door, wall, and architectural surface. Over time, this technical innovation has expanded the role of doors in architecture, allowing them to operate not only as points of access, but also as spatial thresholds, compositional devices, and expressive elements within the building envelope.
The Guangzhou Xuelei Fragrance Museum takes scent—an invisible and intangible medium—as the starting point of its architectural concept. Challenging the visual dominance of conventional museum design, the project introduces smell, memory, and multisensory perception into spatial narration. Guided by principles of openness, collaboration, and sustainability, the museum is conceived not merely as an attractive cultural destination, but as a platform for public engagement with the history of perfumery, traditional craftsmanship, and contemporary technologies. It offers an ideal environment to experience the evolution of fragrance creation. Through architectural expression, the intangible nature of scent is transformed into a tangible, spatial encounter—establishing the museum as a vital venue for dialogue and exchange within global fragrance culture.
Zero-Concrete Architecture: A New Vernacular – Vernacular architecture existed long before concrete. Across regions and climates, it evolved through local materials, gravity, craft, and accumulated knowledge—without relying on reinforced concrete as a universal solution. This villa is built entirely without concrete. The project is conceived as a contemporary reinterpretation of vernacular architecture and as a continuation of a critical inquiry into modern, concrete-dependent construction culture.